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Alabama 3’s funked narco-cowboy shtick is a case in point, as with this rollicking gig, which included an appearance by Paddy Hill of the Birmingham Six. Basement Jaxx, 2005 In the year that opened with two inches of rain falling in an hour, Basement Jaxx braved Bobby Gillespie’s onstage insults, as well as replacing Kylie, to deliver a fabulous dance blowout, including a carnival version of Motorhead’s Ace of Spades. Tom Jones, 1992 Tom Jones’ first appearance instituted the Glastonbury tradition of a Sunday slot for glitzier old school entertainers, and proved in the process that Vegas had taught him to work any crowd with impeccable, likeable charm. Stevie Wonder, 2010 On the festival’s 40th anniversary Michael Eavis joined the Motown superstar onstage to sing Happy Birthday, a slightly surreal moment among a plethora of golden funk-pop mega-hits delivered to a gigantic and adoring audience. Black Uhuru, 1982 Reggae ruled Friday of 1982’s festival.Aswad played in the afternoon but it was the pulsing bass of Black Uhuru, reaching a crest of success after their Sinsemilla and Red albums, that set things smoking. Suede, 1993 The most hyped band in Britain that year, with a chart-topping album to their name, Brett Anderson’s pre-Britpop glam band played at the same time as the recently reformed Velvet Underground but by far, much more fun. Oasis, 1994 The NME Stage for Sunday was a taste of things to come.to join their country wide counterparts at various military basic training bases.

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Durban’s claim to be the third largest city in South Africa is refuted. The Transvaal Castle, built in 1961, one of two new Union Castle ships arrived in Durban on her maiden voyage.

Superstar DJ Carl Cox sent the new Dance Tent wild, with tunes such as Hardfloor’s acid techno remix of Mory Kanté s Yeké Yeké. Van Morrison, 1987 Glastonbury 1987 is mostly remembered for the Mutoid Waste Company’s Car Henge sculptures, a taste of things to come, but Van Morrison soothed a weather-beaten Sunday night with a lush set climaxing in the Beatnik soul of Rave On John Donne. Roy Ayers, 1993 LA’s jazz-funk vibraphone don brought the California weather with him in 1993 and celebrated the fact in ecstatic style with a crowd-moving, extended version of his 1976 signature song, Everybody Loves The Sunshine. James Blake, 2011 The Park saw a mass exodus after a reformed Pulp played but those who stayed, high above the site as the warm evening sun lowered, were in for a gentler, more absorbing time, a massage by bass frequencies from the dubstep troubadour. The Wombles, 2011 Eavis disapproved but this comedy turn on the Avalon pulled the festival’s biggest crowd in that slot.

With Wellington on guitar, Madam Cholet on bass, Bungo on drums, nostalgia in the air and solid Beatles pastiche songs, they couldn’t fail. Alabama 3, 2008 Some regulars make sense at Glastonbury in a way they don’t outside it.




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