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Listed here are the main types of historic photographs one is likely to encounter.

Probably 80% of the 19th century portrait photos the genealogist or local historian finds will be card mounted, particularly CDV's and Cabinet Cards; and another 10 to 15% will be tintypes.

Scenic photos from that period are mostly found as Stereo Cards, though there are many in the large sized card mounted formats as well.

AMBROTYPE The Ambrotype is essentially a glass negative with a black background that makes the image appear positive. Invented about 1854, the form lost popularity in the early 1860's when tintypes and CDV's replaced them. There are some wonderful ambrotype portraits still in existence, yet the process is much neglected by authors.

The only book I know on the process is out of print, but worth searching for if you can find a used copy: Ambrotype, Old and New by Thomas P. CALOTYPE The Calotype, sometimes called the Talbotype after its inventor, William H. Talbot, is a paper print made from a paper negative. S., this format was more common in England in the 1840's.

The image produced lacks sharp detail, the soft focus being due to use of a paper negative.

S., from its introduction until just after the turn of the century.

The Cabinet Card is easily distinguished from other card mounted photos by its size, typically 4.25 x 6.5 inches (108 x 164 mm).

Platinum-palladium is a traditional printing technique, dating from the 19th century, favoured by photographers and collectors due to the tonal range of the prints.A close rival in popularity to the photo posts is Useful Tips for Reading Handwritten Documents which became a long list of tips and tricks generated by comments from you and from State Records staff.It got us thinking…we create a similar list of useful tips for dating photographs?Many images in our collection have come to us with only the barest of details attached.Your knowledge, interest and enjoyment in identifying dates and locations is helping us to fill in some of the blanks and, in turn, provide better access to the State’s archives.Welcome to the fifth in our series of blogs about how to understand and interpret your old family photos.In this series, Jayne Shrimpton, internationally recognised dress historian, portrait specialist, photo detective and regular contributor to Family Tree, Your Family History and Family History Monthly magazines, dates and analyses different types of photographs and helps you to add context to your old family pictures.I’ll start off the list with something I learned while following the advice of a Flickr friend.Jayne Shrimpton MA, photo dating expert and dress historian, offers a professional service to individuals and organisations wishing to date old photographs and artworks.Having learned in the previous blog how photograph compositions and studio settings changed over the years, we now look closely at what our forebears are wearing in old photographs.In any kind of portrait it is often the subject's clothing that engages us most: fashion history is a fascinating topic and recognising the modes of different eras is an invaluable tool when trying to date unlabelled photographs.Many of the prints in the exhibition are drawn from the amana salto studio based in Japan, Salto Ulbeek in Belgium and 31 Studio in the UK – some of the finest platinum printers working in the world today.These printers all use skills, materials and technologies to experiment with historic and modern printing methods to master the platinum print.Platinum prints are amongst the most permanent man-made objects – it is thought that a platinum image, properly preserved, can last more than 5000 years.The painterly quality of the platinum print was embraced by masters of photographer in the early 20th Century such as Edward Steichen and Alfred Stieglitz, who called the process ‘the prince of all media’.




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