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They are great amps and the speakers can be reconed or replaced for not a lot of money. They are known to be temperamental, but many won't use anything else once they've been hooked. I helped to tear down the equipment from a concert last summer, and it looked to me like the electric guitar was plugged into a small amp on the floor at the back of the stage, and there was a mic on a wee stand pointed at the amp. I don't think I'd ever heard more sound from a maller package. For personal monitoring, there are a number of small amps that will give you that advantage. I have had a Mini-Brute for many years and used it primarily for electric bass. I played my electric mandolin thru it as well as somke electric guitars and never liked the sound all that much -- mine is solid-state.

I've been considering getting one for years, but I don't play electric enough to justify it. it wasn't until I got a great Fender tube amp did I realize what good tone was. Jim My Stream on Soundcloud Facebook Playing lately: 1923 Gibson A2 black snakehead -- Brentrup A4C -- 1915 Frank Merwin Ashley violin -- Huss & Dalton DS -- 1937 Gibson L-Century -- 1939 Gibson L-00 -- ca. 1923 Vega Style M tenor banjo -- Gibson TB-Junior I have had a Mini-Brute for many years and used it primarily for electric bass. I played my electric mandolin thru it as well as somke electric guitars and never liked the sound all that much -- mine is solid-state.

Louis Matza — guitar, ukulele, mercifully rare background vocals Louis has played guitar and written songs for bands in Chapel Hill, NC (Glass, The Foolish Things) and Berkeley, CA (Apartments 9 & 12, The Underdog).

For about 20 years he’s been trying to create the perfect song by combining pop song structures, jazz chords, unique moods, impressionistic lyrics, memories of islands, long nights on buses, and vintage archtop guitar tone. in Music Acoustics, likes to restore old cars, renovate bathrooms, write songs, and sustainably harvest trees to build archtop guitars and basses.

The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

My dad was a Jazz Bass player and he left me a Polytone Mini-brute amp. Not plugging directly into the PA, would be because there is no direct connection , as with many classic tube combo amps, Or the characteristic sound of the speaker moving the air is what is the desired sound. The sound guy can't turn me up enough in the monitors to be heard over the acoustic guitar, electric guitar, electric bass, full drum kit, keyboards, mandolin and 5 vocals.

Are there test reports (test reviews) from this old Mini Brute versions, where is to find a frequency response? The only electrical difference between this both versions, which I can say, is the mains transformer itself - version from mentioned ebay auction is an us model with only 120VAC mains input voltage, while version, which I have, is suited both for 120 and 220VAC (mains transformer uses primary windings for both voltages).

This is a retouched picture, which means that it has been digitally altered from its original version. The original can be viewed here: FARRAR & KIRCHOFF 1, Mainstreet Jazz & Blues, Belleville, Illinois, 2004-09-03

I'd appreciate any help on this........................

Modifications made by Guitarpop.{{Information |Description=[ ''' Mini-Brute II'''] |Source=*File: FARRAR_&_KIRCHOFF_1,_Mainstreet_Jazz_&_Blues,_Belleville,_Illinois,_2004-09-03|Date=2010-09-18 (UTC) |Author=*[[: File: FARRAR_This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it.

If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file.

Andrew Brown — double bass, background vocals Andrew spent over a decade playing classical and jazz bass professionally throughout Europe while living in Vienna, Austria. He teaches music at the German School in Potomac, MD.

Lex O’Brien— drums, percussion, background vocals Lex, the ultimate genre-buster, studied percussion at Ithaca College and since has performed professionally in nearly every style of music from country to free jazz to symphony to circus band.

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